Showing posts with label Jeremy M. Long. Show all posts
Showing posts with label Jeremy M. Long. Show all posts

5.10.2019

"I'M JUST A CITIZEN WITH A KNIFE."

Ever since I spoke with Jeremy in a recent post and included a certain photo, I have been deluged with requests for a follow-up. So I called to talk to him about the matter.

The following, as usual, is a description of a conversation I did document, but did not record. I will use quotation marks to convey the sense that I am using the precise words that Jeremy said. Of course that is not factually correct. It is true, and it is accurate, but it not necessarily letter-of-the-law factual.

Jeremy knows this.

Some have complimented me on my courage in daring to use quotation marks to indicate something I'm paraphrasing, and to be transparent about it. To that, I strongly say:

"I am no hero. Some of you may call me that, and that is your prerogative. Do I think I am a hero? No. Absolutely not. I'm just a little guy standing up in defense of a different way of doing things against hundreds of years of dogma and institutional thinking that has led to syntax authoritarianism. I have merely said 'there is another way.' Does that make me a hero? Some would say so. But I cannot say."

Back to Jeremy. This is the photo in question (see below).

Portland musician J.M. Long drinking coffee and showing off his knife.

Here's a closer look:

A closeup of Portland musician J.M. Long's knife.

As you can see, this is the photo that lit things up and that I will try and address in the following conversation. Read below for the raw transcript.

___

"Hello,"
he said, answering my call.

"Thank you for answering my call,"
I said.
"I'll make this quick: a lot of people are wanting to know about the knife you've started carrying around, so I need to ask you some questions about it."

"Okay."
he said.

"I'm driving,"
I warned him.
"So I'm not going to give you the best part of my attention because I need to be safe and focus on the right things. But I am documenting this conversation. I'm not recording it, but I am documenting it."

"How are you documenting it?"
he asked.

"In my head,"
I said.
"I will remember everything important fairly accurately. And I'm going to quote you, even when I can't remember your exact words exactly. Agree?"

"Sure."
he shrugged; I could feel his shrug.

"Question one,"
I said aggressively.
"How long have you had this knife?

"Since last Saturday,"
he informed me.
"I found it in a tree."

"Tell the story."
I demanded.

"Well," he said. "I was at the park, and I looked up in a tree, and this knife was hanging down. So I took it and tried to find somewhere I could turn it in, but there wasn't anybody working, and everything was locked, and I didn't what to do with it."

"So you took it,"
I said aggressively.
"You took the knife that did not belong to you."

"Yeah," he said. "I couldn't find anywhere or anyone to turn it into, and there were a lot kids playing there and I didn't want one of them to find it and get hurt."

"Wait a second,"
I said suspiciously.
"Are you telling me that you're a hero? You took the knife because you wanted to do the right thing?

"I wouldn't call myself a hero,"
he said modestly. '
"I'm just a guy who likes to save toddlers' lives."

"I'm just a guy who likes to save toddlers' lives."


"You are a hero."
I said.
"So how do you decide where to wear it?"

"On the right side,"
he thought carefully.
"I've been practicing my fast draw and I'm right-handed. Also, I don't want it to scratch my phone, which I keep in my left pocket."

"I'm just a citizen with a knife."


"Makes sense,"
I said.
"So what is your primary purpose in carrying a knife? Is it a weapon?"

"Thing is,"
he said.
"I'm just a citizen with a knife. It's not a weapon or a tool. It's both. I use it for protecting people and for cutting apples."

"You cut apples with it?"
I asked.

"Well," he said, and I could tell I had touched a small nerve.
"I haven't actually cut any apples with it yet. I don't know who owned it before, and I'm kind of obsessed with hygiene so I don't know if it's clean and I haven't learned how to clean it yet."

"Well,"
I said.
"Would you like a few tips?"

"Yes," he said.

I provided some tips about knife hygiene, cleaning, and etiquette.

Then we moved on.

"So," I pushed him a bit. "What role does your knife play in making a safer world?"

"Thing is,"
he said.
"I'm just a concerned citizen, and a knife is an alternative to a firearm. It's both a tool and a weapon.

"A tool can be a weapon and a weapon can be a tool."


"So you're saying a knife can be both a tool and a weapon?"
I carefully phrased my question.

"Yes,"
he said firmly, the weight of conviction supporting his statement.
"Absolutely. A tool can be a weapon and a weapon can be a tool. I think citizens need know that there are alternatives to firearms."

"Now you have a folding blade knife,"
I said.
"Do you think you'll ever go on Etsy and get a really fancy holster or case for your knife?"

"Probably not for this one,"
he said.
"At some point I may get a fixed blade knife. When I do that, I may go shopping for a really good holster."

"What are your immediate plans for using your new knife,"
I asked.

"Now that it's clean,"
he said.
"I'll probably cut some apples."

"Almost done,"
I said.
"Wondering if you think your knife would be capable of handling a James Franco?"

"What do you mean?"
he asked.

"Like in 127 Hours, the movie, where his arm is trapped in a boulder and he has to amputate it with a multitool, or pliers or something. Do you think your knife would be capable of that? Could you cut through your own flesh with it if need be?"

I could hear him pondering this question thoughtfully over the phone. Finally he responded slowly.
"Yeah...I think it could handle it if need be. If I had to cut off a limb to survive, I think my knife could handle it. Hopefully better than pliers."

"If you were getting mugged by violent muggers on your way back from a movie with your wife and dog,"
I asked.
"and you had to choose between a gun and knife to protect you, which one would you choose?"

He answered without hesitation:

"Dog."

"Thank you,"
I said.
"It can be maddening when people respond to a two-choice question with a third option, but I should have seen that one coming."

"Yeah,"
he said.
"Definitely dog. My knife is great, but not always the best tool - or weapon - in every circumstance. It's like the ocean: it's a powerful force and you have to know how to use it."

"A knife is like the ocean: it's a powerful force and you have to know how to use it."


"You have had so many wonderful quotes during this conversation,"
I said,
"that I don't know which one to end with. So I think I'll go with your last one. Love it."

"Thank you,"
he said.
"I'm going to cut some apples now."


























5.08.2019

MILES, MAN, PLAY WHAT AIN'T THERE.

Jeremy told me recently:

"You make me sound much funnier than I am."

It was in reference to a 2013 interview I did with him about Science that recently resurfaced and has been making its way around the web. You just never know.

You can find it here. You will find it more enlightening than an E.L. James novel and possibly less so than A Brief History of Time.

This compliment from Mr. Long meant a great deal, because it is a goal of mine. A partial goal anyway.

A toddler-age artist carefully draws a rendition of Cookie Monster on an IKEA easel.


In the same way that fiction writers make up stories in order to get to the truth, and musicians leave out notes in order to get to the best ones, and photographers leave out parts of an image in order to draw attention to the most important part...

...I like to frame my conversations and happenings with people, when I write about them later, in such a way that the most interesting and unique bits of both trivial and epic elements are squeezed together, and the rest is dumped behind, and what you have left is a version that is the truth plus or minus a little, but with the spirit intact, the best parts bumped up in the mix, some surprising portions elevated to important status, and...

...the rest left out. I love journalists and journalism, but I ain't one.

Miles Davis said this:
Don't play what's there, play what's not there.
One of my worst and most enduring traits is extrapolating ideas from quotes I like that aren't necessarily intended to work in the way I'm making them work. But Miles dug his own groove, as do I. He'd think I was a nerd. He'd be right. But he'd learn to dig me.

What's the obvious thing you think of in answering a question? Any question. What's the obvious answer. It's called gut instinct, or common sense, or what Jung might call the collective unconscious, where we share archetypes of certain ideas that get kicked around without really thinking about it, but here's the thing, if it's the first thing you're thinking of, then...

...it's probably the first thing everybody else is thinking of too. So if you've got a 12-note chromatic scale in front of you to play and you've got an instrument, you got, I don't know, how many different directions you can go with those twelve notes?

You got an almost-infinite variety, so how do we end up with so much music that sounds the same? That sounds so identical to one another?

We get used to playing the same notes, and looking at the same notes, or more importantly, paying attention to the notes other people are playing around us, and those are the ones we keep going back to. The ones that pop up the fastest and first. They're familiar. They make sense. They sound good.

Somebody like Miles or Charlie come along, bopping and sliding and peckin around for some different notes, some other ways of finding the pretty ones that don't seem to be quite right there. But here's the thing: they are there.

They are. There. They're just not the obvious ones.

Like I said. Great life lesson. Look for the things that ain't obvious. The people that may not be the loudest. The word that may not be the first to leap to mind. The way of approaching an idea or challenge that is a few steps removed from the way everyone else seems to be looking at it.

Common sense can be a good thing. Shortcuts can be a good thing. Finding efficient ways of doing things can be a good thing.

That's all fine.

But when you want to bring something original, something beautiful and different into the world, whether it's a composition or an idea or a painting or whatever, and

whether it's on a massive epic level or a little tiny trivial level,

you gotta be willing to ask yourself:

What can I leave out? 



and


What seems to not be there, but is there, and is getting ignored or underutilized?   (that applies to people, perhaps more than anything else)


He learned the rules, he learned the notes, and then he found different ways of playing them.

Anyone could have. Anyone can. Principle's the same for anything.

Find what's not there. Or doesn't seem to be there.

Play it.

Miles, he was something.

You can be too.

And Jeremy was half right. Yeah, I hope I can help people bring out and highlight the best parts of themselves.

But he's also pretty funny.

I just leave it out when he's not.






5.04.2019

CONFIDENTIAL INFORMATION (MOST LIKELY IT WOULD JUST BE A SIMPLE TORTURE).

I met with my brother Jeremy (pictured in the Walt Disney t-shirt), earlier and he told me something that he wasn't going to tell me, but did.


He didn't want to have to tell me, but he knew it was the right thing to do and his hand was forced, through something else that occurred via another party that I also cannot talk about. It had nothing to do with me, but it had everything to do with how I would respond to the information he gave me. There was a long list of stipulations given regarding how I would handle the information I was given.

From a technical and legal standpoint, the stipulations were given to someone else and were not originally intended for me. Through a series of happenings I cannot - and will not - detail here, I came to be in possession of this information, and it was important to him that I understand the ramifications of this information getting out anywhere else, and why it was important that it go nowhere else.

After he told me, it all made sense, and it would to you as well if I told you. But I can't. You'd understand if you knew what it was.

Again, I can say nothing about the information, or why I came to know it, or what it means, but it is extremely interesting and shines a light on certain figures and situations I cannot name, and it would completely shatter certain ideas you've had about certain things. For unnamed reasons, I cannot say who the figures are that are involved, or what other individuals also possess this information. Jeremy entrusted me with this information because he knew I know how to keep a secret and would give nothing away about what it is, but trust me, if you had any idea what it was about you would wish you could know, but unfortunately you can't because it would complicate your life to even have a clue.


In many ways, it would be better if you had no idea this information even existed. The fact that you know now is intended to protect all parties involved, including yourself. This way, you can know that you don't know, rather than being unaware of not knowing. If there is ever cause for you to be tortured to get this information, then you can get through it by simply being honest and saying "I don't know! I know there's something I don't know, but I don't know what it is!"

But the thing is, trust me, if you ever find yourself in a life or death situation where somebody is trying to find out this information, it's much better for you that you know there's something you don't know, because it will be much more believable if you're undergoing severe interrogation or torture to acknowledge that there's something about this information that you wish you knew, but that you simply don't, instead of simply screaming over and over again "I don't know what you're talking about!" This way, you can truthfully scream "I know there's something I don't know and I'd tell you if I knew, but I honestly don't!"

At a certain point, they will start believing you because your voice will have the weary ring of truth, if you're still able to talk. When they're done, you will feel better knowing that you did not give anything up, because you couldn't, and the incredible feeling you will have over preserving your non-knowledge will be much more meaningful to you than the fleeting irritation of physical discomfort. 

Except, of course, if that physical discomfort involves having fingernails yanked out or limbs cut off. If that happens, there will probably be some physical pain whose effects don't go away immediately. But that's not likely to happen. Most likely it would just be a simple torture and then you'd be done and free to go on doing whatever you were doing before. If you knew the information I know, and that Jeremy knows, and that other individuals whom I can't divulge know, then the pressure - and physical pain - would be too great and you would likely give up the information and then you would have the psychological trauma of having betrayed the information you were entrusted with.


The fact that you are reading this probably puts you in danger, if - IF - there were parties who were desperate to learn the information Jeremy shared with me. I cannot even confirm or deny whether or not this information would be of interest to parties such as the ones described above.

Sadly yet fortunately, I cannot say whether this information is big information or little information, or whether it's important or trivial, or whether it has anything to do with national security, or if it doesn't. I cannot say any of those things, because that would be saying too much. So if you are approached about divulging this information, simply let what is going to happen, because you honestly do not know anything, and you can be grateful for that.

Also, we talked a bit about the difference in band histories of Kings of Leon versus Arcade Fire, and the one thing I will say is that the information I can't talk about has nothing to do with either of them. I probably shouldn't have even said that.


Enjoy a pleasant evening, and remember to smile, whatever happens, and lock your doors. And be grateful you don't have the information I do.


5.02.2019

CONVERSATIONS : DJ DISCUSSES PRIVILEGED INFORMATION.



One of the greatest gifts we can give each other in an age of too much of almost everything is time. Which is why I value some of the relationships I have that dispense with extraneous greetings or prologues on the phone.

I sat in a comfortable chair with my back to the corner and facing the door, like Wyatt Earp from the 1880s or any good law enforcement officer today, writing mindless yet necessary paperwork while listening to Clap Your Hands Say Yeah. My phone rang.

I am going to refer to the following individual as DJ in order to preserve its identity. Also, I will refer to this person as "it" in order to further mask the identity.

This is the conversation:

Hey DJ,
I prologued.
Sorry it took me three rings to pick up.

What I'm about to say,
DJ cut me off.
Is privileged information. You can't tell anyone.

Okay,
I said.
I won't tell anyone.

It's privileged.
it said.
You can't.

I know.
I said.
I will not tell anyone besides my children.

No.
DJ said.
You definitely cannot tell them.

Okay,
I said.
I will definitely try not to tell them.

Commit.
it said firmly.
You cannot tell anyone. I am about to tell you privileged information.

Okay.
I said.
I commit. I will tell no one. But I am going to write about it.

How is that protecting my privileged information?
DJ asked.
You can't write about it.

I'm going to.
I said patiently.
It's okay. I'm going to put it on my blog and hardly anyone reads it.

I bet more people,
it said,
read your blog than ___ my ____.

NOTE: I have redacted the above statement because it could and would unmask this individual's identity.

No, I said.
Most of the people who read my blog are in Europe, New York, or Sweden. Hardly anyone in America. So you don't have to worry too much about being unmasked when I write about what you're about to tell me. I'm super excited to write about this privileged information.

Fine.
it said.
But you can't tell anyone.

I won't tell anyone without your okay,
I promised.
But I will definitely write about it.

The privileged information,
DJ said cautiously.
Is that I'm going rock climbing.

You're going rock climbing?
I exclaimed, mostly minus profanity.
That is so great. I wanna go rock climbing.

Yeah.
it said.
I've wanted to for a long time, but it's expensive and I wasn't sure about committing to it. But then an opportunity came up and I emailed someone and now I'm going. This afternoon.

Whoa.
I said.
That is so cool. Remember to wear a harness and use ropes.

I will.
DJ said.
And remember not to tell anyone. It's privileged information.

Out of curiosity,
I said.
I totally get it of course, but exactly why do you wish this to remain privileged information?

Because,
DJ carefully replied,
I don't want people thinking that the only thing I do in life is rock climb.

You're going for the first time this afternoon?
I asked.

Yeah.
it said.
I just don't want people getting the impression that it's my entire life and all I do is rock climb.

Totally get it, DJ.
I said.
That makes sense. Hey, I've got a good feeling you're gonna love it, and can we plan on heading out to the Gorge for some climbing after you've got some gym climbs under your belt and have sprung for a bunch of gear?

I'm buying gear?
it said.

Yeah.
I said.
You're gonna love it and probably get obsessed with it. So after you go today you can buy a bunch of gear and provide me the inexpensive alternative to getting back into climbing I've wanted since college.

You climbed in college, right?
DJ asked.

Yeah...
I took a deep sip of dark coffee as the house door opened and I waited a moment so I wouldn't inadvertently give away privileged information that wasn't mine to give away. Then I continued.
...I used to climb, but I prefer to climb with people who have all the gear and know how to use it. I've found it's the best way.

So you want me to buy the gear so you can start climbing again?
it asked carefully.

Yeah.
I said.
That's about right. You're gonna love it.

I really don't want everyone thinking I spend all of my money and all of my time on rock climbing,
DJ said.

Well,
I thought carefully, and lowered my voice as an old guy in his 50s sat beside me.
That's a risk you'll have to take. It sounds like climbing is pretty important to you and that you're already having trouble focusing on other things. But I'm sure you'll continue to have other interests too.

I haven't even gone yet.
it said.
I might not like it.

Oh, you'll love it.
I assured.
It's gonna be your whole life after you go.

Can you not tell anyone?
DJ said anxiously.
I'd really like for you to treat this as privileged information.

Absolutely.
I said.
This is between me and you and my northern European readers.

We moved on from that to discuss a wide variety of other topics, including which are the only two Radiohead albums appropriate for summer listening (In Rainbows for June, A Moon Shaped Pool for August), my listening plan for November (a deep dive into Radiohead's Amnesiac), which of Radiohead's albums have the best titles overall (also Amnesiac), which artists are deserving of being mentioned in the same paragraph as Radiohead (Glass Animals, for one), how many years apart Kid A and Amnesiac were (one year), and whether King of Limbs is worth repeated listenings (possibly).

Also, I strongly encouraged DJ to give Clap Your Hands Say Yeah a significant listen, beginning with a three-track playlist I will provide when it is ready, and it asked how I felt about Tame Impala's two new songs; a query for which I had no response.

Remember to use the ropes,
I reminded it in closing.
And remember that there's other things in life besides rock climbing.

Okay,
DJ said.
Remember to not tell anyone. Privileged information.

Love you.
I said.

But it had hung up already.




___

photo cred : screen shot from FaceTiming with Jonny Long @Niagara Falls, April 2019















4.30.2019

59 HOURS, BUT NOBODY'S COUNTING.

She came along a road. On a dark night. My buddy, Becca's bud, our pal.

Home again.

Briefly.


It is always the beginning of something.
She pulled in on the dark late night, and brought a big hug - I kindly let Becca squeeze her first before shoving my wife aside - and a bigger box of her baked delicacies full of sugar and butter and cinnamon and spices and secret stuff and such to savor over the next 59 hours. And we did. The molasses ginger cookies were sublime and exquisitely textured.


As you like it.
She slumbered for a number of hours that dug deep into the following morning, and I measured carefully the contents of our coffee supply and determined there was enough for a single serving each, and impatiently waited with patience for her to awake, and waited, and waited, and waited, and debated making myself two cups, but the potential of being able to share a cup on a Friday morning with an adult, and historically one of my favourite drinking companions, was strong enough to back me down, so I waited, and waited, and waited - but I stayed busy educating minds with the joys of a Shakespeare comedy, Latin, a breakdown of the U.S. Constitution and genius of James Madison, a refresher on the beauty of the Fibonacci sequence, and the difference between metals and metalloids on the periodic table. And such. And I waited, but not with inaction.


One more cup, or one cup only.
Up. I made the coffee, and it was mediocre, possibly a few notches beneath. This is not a subjective analysis; she observed this accurately, in the deadpan voice I like to think she saves primarily when mocking me, and I do not mind, because she sneaks the lightest trace of affection into the corners of the deadpan and I can tell.


In which a general satisfaction is found. 
She expressed appreciation, once more, for the single cup of, to quote precisely "...mediocre coffee." This was the second conveyance within a nine-minute span whereupon she found occasion to observe the quality of the handmade beverage I made with my hands. A particular glee at the left corner of her mouth accompanied an otherwise straight countenance in delivering this observation for the second time; a glee that was perhaps an enthusiastic rebuttal to a statement I had made before gently setting down her container of black gold:

I,
I said,
am intimidated to be drinking coffee with you, let alone making and serving it to you. 

Why?
she asked, the left corner of her mouth fighting hard to stay down and being utterly defeated.
You shouldn't be.

I can see by your expression,
I replied.
That you know exactly why. You have spent the last ten months being trained in the exotic art of making exceptional coffee and paying attention to subtle variances in external temperature and relative humidity and the exquisite care one must take in preparing a proper cup of coffee, and knowing all that, and knowing that I know that, and knowing that I have dug to the bottom remainder of our stash to prepare...this...it is difficult. 

Oh, I'm sure it will be fine,
she said, her eyes betraying the lie of her words and alighting on the truth of what I had just spoken; a truth which was confirmed by her coupleted statement not ten minutes later.

Thank you for the coffee,
she murmured in the sun, looking up post-sip.
It really is mediocre.

I know.
I said.
You're welcome.

The left corner turned upward ever so higher in either mirth or disgust. It was a difficult tell.


The vanity of time. 
After that she did not initiate a conversation about time and how the reality of time is unchanging, but the social construct we have built around time is so different than what it used to be. We did not have this conversation - I am usually the one who brings up such conversations with her, and then she eagerly jumps in and we repartee and argue, and she may make me feel like an idiot sometimes, but it is generally because she made a relevant point that I did not see coming and should have; importantly, it is rarely, if ever because of the fact that I have brought up a silly conversation to begin with, such as a questioning of the social construct of time and its evolution - devolution - over time.

Our hyperconsciousness over time and constant awareness of the calendar, of obligations and responsibilities and alarms and timers and reasons to never forget to do anything are an horrific example of the wreck that techno-efficiency brings to our lives in the guise of progress. Incandescent bulbs and microwaves and silicon chips are all great inventions on so many levels...but now we get to work later, make food faster, and be connected at all times to a reflective screen that we live so much of our lives on...in the name of efficiency, productivity, and...connectedness.

The persistent melting away of connection in an age of hyper connective potential. Sad. A reminder of the beauty of scarcity, and how having more than you need of something - e.g. the ability to constantly connect - does not mean you will connect better. Or even well.


Of electric sheep.
She also did also not casually integrate Salvador Dali into any of our conversations, although such casual slip-ins have occurred enough times to not be uncommon in our dialogues going back twenty years. Dali was another individual fascinated by time; a fascination symbolized best by his 1931 Surrealist masterpiece The Persistence of Memory, in which pocket watches are melting across a desert  landscape in a nod to the relative nature of time and space.

We did not speak of that, except perhaps in telepathic dreams?


Call me anytime, but not then.
In addition, she did not begin talking of how Dali was often inspired by the landscapes of Catalonia, the autonomous area in the northeast of Spain. I've never been there, but she has been to Spain, and Becca has been to Spain, and my understanding is that Spain, like many hot regions, takes a siesta at midday as a respite from the sun. Later, shops begin reopening and stay open late. As a lifelong American with an interest in other geographies and living, this is fascinating: being on a completely different sort of clock than I'm used to; a clock that is out of sync with the standard we've been on since the Industrial Revolution helped invent the standard work day in which efficiency and production matter most. Anyway,

we did not speak of that, but it would not be strange if we had.


There is a soundtrack to your life and it is not mine. 
Shortly thereafter, she did not shirk or shrink as I pulled out my phone in the midday sun to take a selfie of us; a practice I have been engaging in heavily since 2015. It is difficult to know whether the greater joy is what I feel much later on in looking at the snapshot of a moment frozen, or whether it is the evolution of her reaction in the moment I pull out camera to selfie. A reaction that went from groaning and eyerolling years ago externally to pose-striking deadpan Kim Deal cool with Mediterranean warmth now. Combo killer. It has never been a wasted moment.


Waste a moment. 
She did not scream at the boy, at my son, as he kissed her. As he kissed her six hundred and twenty-two times with snot-bathed cheeks and blue smile targeted at her, she did not waver in returning the aggression in the hot sun. It was love, and she wore a rugged flannel built for wiping toddler-phlegm off cheeks, and she never screamed.


The modern age. 
At a certain point, she tried to steal my mug, my Wonder Woman mug; her fingers grasped the ceramic but not enough to tug from my grasp. I kept it from her and gave her my third favorite mug to drink coffee from. There are immutable laws in the universe: gravity exists, objects in motion stay in motion until a force acts upon them, etc. Also: nobody drinks from my Wonder Woman mug but me. No one. Not even Becca, except once on her birthday because I was being nice. So I could not, did not let her, one of my best buds, drink from it.

But I let her touch it. Interesting thing about immutable laws: they're not always immutable. For example, I was talking with the children earlier this evening about the circumstances in which natural and immutable laws do not work the immutable way they're supposed to. Like around black holes. The gravity that defines a black hole's existence is so powerful that it sucks everything in. Everything. Including light. The area around a black hole is very strange: the immutable laws governing force and motion that seem to apply everywhere in the universe don't apply here. Same with subatomic particles like quarks; the beginning of the insanely cool and insanely in-understandable world of particle physics. How can the same object exist in multiple spaces simultaneously? Physicists, astronomers, geniuses are still trying to figure out how and why sometimes the immutable laws of the natural world don't apply.

I love that. I would rather exist as an exception than a rule; an outlier rather than an indicator. I am happy to surround myself with others who embrace the exceptions to immutable laws. If there's one thing you take away from this paragraph, it's this: yes, you read correctly; I am strongly inferring, if not guaranteeing, that time travel is not only a possibility, it is a certainty and will definitely happen within this century. Though probably after I'm dead.

So I guess if there's two things you take away, it's this: don't touch my Wonder Woman mug. Also, I need to look into the affordability of cryogenics.


Seventeen.
She accepted my invitation to drive into the big city to a big store, where I bought a large bag of coffee, thirteen bananas, and picked up my contacts from the optometrist - which is vastly different from an ophthalmologist - inside this big store. I looked longingly at a diverse assortment of items, such as a kayak, a standup paddleboard, and a small boat. Perhaps in violent reaction to my reactionary longing, she took decisive action and ordered me to deposit a single item in her cart: a flotation device for two, requiring paddles and starting with the letter 'k.'

She bought a kayak, which I thought was the appropriate method to get a kayak if you want one, as opposed to shoplifting. Had she chosen that route, the remainder of the weekend could have had a different flavor. I acceded to her demand; demanding in exchange a second selfie of the day as we stood dour-countenanced in front of three thousand shopping carts.

I bought my bananas and coffee and checked to ensure an appropriate number of children were flailing their infinite elbows within a hundred foot radius as we headed into the parking lot.

A boy in front wiggled and waggled along as he held onto an adult across the concrete walkway, tugging and kissing her leg and losing balance, but kept sure-footed by the firm grasp of a bigger hand over a small. The sun beat down, one was wearing a baseball hat as we climbed in and left the parking lot...

...to drive into another parking lot on a Friday afternoon artery to the highway. Yuck. An hour to go two miles or so. Should I have bought iced coffee previous to this? Life is full of should haves. But we work to eliminate them going forward. So next time. Fortunately I had some emergency music stashed away I was able to put to use, and got a few words of conversation in as the two-year old in the back bantered and played with who had once been my friend, but who had now been transferred over to his dominion. C'est la vie, que sera sera.


Black water.
She then stopped by the grocery with us, which brought a big bill, more yellow berries, and and a rendezvous with our other friend, also known as my wife. The Countess - my wife - and I parted ways with her temporarily and shared a banana in the sunshine.

At this point, there is a break in this narrative's chronology, as she conveyed herself ostensibly for a visit with grandparents; a divergent path which led down physically a separate road from us, but also a divergent path from honesty, as later events led to a somber moment where it was revealed she spurned a grandparental generational chit-chat in favor of a gourmet mid-afternoon lunch with her mother. This was a circumstance outside of my prior knowledge. I do not know what she ordered, though it is unlike me to have not asked.

The hour is late. 
She posed for a shot with her sister before they departed for a show. A concert beginning at a witching hour, a concert which I urged my wife to attend for the joint reasons of:
A) it'll be a fun bit of culture and melody.
B) you'll see your brother up on stage slappin' da bass.
C) you'll make a great memory with your sister that can never be stripped away, save through severe and sudden traumatic retrograde memory loss or genetic-markers leading to extreme dementia and the erratic cleansing of your memory bank; either way it's out of your control, so if all goes well you can use tonight to construct a delightful memory that won't disappear, ideally. But take pictures too.
So they hopped off the porch, rolled away on wheels, giggling and done up, gorgeous and fifty-percent pregnant.  I returned to children, scrounged up enough morsels for their stomachs to survive them through the night, and yelled them into bed before settling with a blanket, my laptop, two notebooks, seven books, and my fave G2 gel pen to make little notes and work on my little book I'm working on in little bits.

Moby remixes swirled in the background, probably too loud, but what can you do? I wasn't going to turn it down in the name of sleeping children. I wrote. Some good things and some mediocre things and I tried some new tricks with a semi-colon, and I reheated a cup of mostly uncaffeinated coffee that was mediocre and befitted the weekend in terms of beverage quality.

The sisters returned post-Cinderella clock, but radiances and attire intact. I had been preparing myself all evening long to back off upon their return. By 'back off,' I mean "not initiate a conversation that would keep one of my favorite conversational partners up into the wee wee hours of the morning. I held firm to that commitment, because I am strong, and watched her crawl into bed, also known as our living room couch, without brushing her teeth. I commented on this because my wife is a hygienist and our relationship is such that I can ask those questions of her at 1am and I helpfully suggested she could borrow our two-year old son's teethbrush.

She declined, and I left with nothing more than a small judgmental look tossed her way. But she was already dreaming.


The hour is early. 
She asked me a question, and I allowed a significant number of time to elapse before responding. Around fifteen hours. Rather than responding, I waited for her eyes to run to slumber twelve feet away. Skipping backwards through time, this is what happened:

I awoke at a premature hour, an hour which could have been used for sleep, but instead was used for the entrance of two sleepy boys joining our bed. Sleepy boys with the bed-sharing habits of a Cirque du Soleil trapeze artist, which is to say they are acrobatic, and the vocal subtleties of Tom Waits, which is to say that the growling, throat clearing, and whistly breathing of bed partners is not the companion of restful early morning slumber.

So I quietly ducked out to a couch and discovered enough light to read through my ragged paperback Sophie's World, a literary trek I have been on for a couple years now and immensely enjoy. It is a Scandinavian novel whose narrative involves following a young girl's mysterious journey into studying the history of philosophy. Thus it is a plot-driven approach to learning about the eras and titans of philosophy throughout history. I typically read it Friday evenings or nights; sometimes a page or two, sometimes 20 or thirty.

I carefully turned the pages in as rustle-less a fashion as possible, knowing from long experience the impact that "quiet" noises can have in distracting one from sleep, such the hypothetical situation of an 11-year old girl choosing your 20-minute power nap time to suddenly take an interest in thumbing through your book collection at the foot of the bed. One rustled page at a time. This is also why I avoided anything more than a millisecond eye contact when she threw off the comforter and trotted across the room and down the adjacent hallway, perhaps to use the toilet, perhaps to do tai chi, perhaps to go crawl in bed with her sister, who was accompanied by the two young men I had sought to escape.

My suspicion of the former was confirmed a short time later when she returned and asked in her passage across the room: "What are you reading?"

followed by a glance at my small journal and pen precariously perched on the arm : "How is the writing?"

There are moments in a person's life where they can clearly see everything in an instant. I have not yet embarked on a near-death experience, although I have broken one ankle and two legs, though both were the same leg at different times, but my understanding is that at the moment of death minus one-second, everything flashes before your eyes. Perhaps this is a novelist's construct that has waded into modern archetypes, or perhaps there is something to it. There is certainly a romantic allure of having the split second before death be filled with a hyper-sped version of your life. I think Walt Whitman would agree.

Again, I have not experienced the nearness of death, aside from some near-near-ish experiences I will tell you about someday, such as the time I saved a prostitute along the Ala Wai Canal from her knife-wielding pimp, but what else I have done is to practice the art of exercising an ability to immediately size up a particular situation in an instant, and in that instant know the right thing to do.

I knew the right thing to do was to ignore her.

Because I knew, based on my instant assessment of posture, gait, head turn, voice modulation, tone, angle of head, amount of eye contact, and inflection at the end of the two questions, that she was simply asking out of misguided responsibility and obligation.

Do I believe she was interested? Yes. But I also knew in this instant that these questions were driven by a motivation other than a deep desire to be up at this hour engaged in conversation. Even if it was me, who is often her able and capable conversational partner and verbal duelist. And I knew if I used the next five seconds to answer, her synapses would move from dormant to alive, against their will, and all other body and brain functions would slowly grind their gears into action, and it would be against her will. And face it: some people are cranky when they don't get enough sleep. I make no inferences. Simply that some people are.

So I ignored her, although I would have swapped ten pages of reading Sophie for five minutes of conversation with her. But I knew it wasn't right, and I was able to smugly peer over my book at the sleepy figure of my friend as she ignored my ignoring and trotted into bed, pulling the comforter up and burying her body underneath, and I knew that I had performed a beautiful and self-sacrificing action. Truly the action of a saint.

The sun broke through the slits around the thirteen-year old blinds hanging over our thirty-year old windows as I polished off several more pages, and she finished her night's nap. When she awoke later, we spoke some words. She had little memory of the encounter.

Yeah, I said, I don't really remember it either.


A time to turn.
At 9.56 am I took three selfies of us holding a small stuffed animal. I wore a white tank top for the occasion.


Impossible request.
For a period of four minutes between 10.02 and 10.06am, she backed out of our driveway, executing one of the greatest 27-point turns seen in my lifetime, in which a turn was never executed, but did, in the end, allow for a successful exit.

The time required to execute this move might have dropped from four minutes to ten seconds had I moved a vehicle or two in order to allow for a clear exit path, but I was heavily involved in the important task of laughing as she made micro-turn adjustments and attempted to extricate her vehicle. In the end she did so.

If I had intervened, she surely would have lost the opportunity to show her capability at executing a 27-point backup maneuver.


Over.
She sat in the pew behind at the memorial service we attended, and I stepped out with our two-year old son who had a soggy diaper and tired eyes, and he finally lolled to sleep on my shoulder, whereupon I returned to the sanctuary and dumped his plumb body across her chest, where he lay splayed upon her bosoms, chest rising and falling and falling and falling deeper into nap and the dreams of a good dream brought to life when he opened his sweaty eyes at long long last and saw in whose arms he lay; a circumstance which led him immediately to begin kissing her with his sweaty face, again and again; an activity which continued for the entirety of her fifty-nine hour stay, if anyone was counting, which they probably weren't, which I was.

Because sometimes to savor the moments, you gotta own up to their scarcity and make em count.

Also, I tried to eat soup while driving.


Homecoming. 
We drove home in silence, save for bottomless sounds of talking, laughing, and music. A child kept her attention for most of the duration, and she gave it with something less than a sullen presence.

There are many people who treat time as a fixed entity, and there are others who invoke Albert Einstein and Salvador Dali in creating elaborate reasons for why time is more of a fluid concept. I could be described as falling into the latter category; however as I watched the minutes tick away, in maddeningly un-fluid fashion, and I swiftly used calculus to determine the timing of making it to my brother's album release show at the scheduled time, I came to the conclusion that there was a discrepancy between the two numbers.

The long version is, if we drove all the way home - 35 minutes past the concert venue - and then drove back, we would most certainly be late to his show.

So my wife, the Countess Becca, spoke the words that John Huss and John Wycliff and Joan of Arc spoke so many times (or perhaps only once, as they were being burned at the stake):

"I'll take care of this."

This is not technically what she said, and probably not what they said either, but it does capture the spirit of what they all meant, which is why I included it in quotation marks, and also to give it more gravitas. I did not take care of it. Becca did, and what she did was this: she dropped us off at the show so we could be there on time and she took the children home, and promised to drive back in, long after bedtime, to pick us up.

A saintly thing, although I can say with delicious knowledge that she may be a heavenly-bodied angel, but she is not a saint, in the best way possible she is not, and is much more interesting and rebellious than one. But what she did was a kind and saintly gesture. She lifted the responsibility and the anxiety and the stress of us potentially missing the show away with her saintly decision and sent us off with a wave as the sun began to set in northwest Portland.

We walked the thirty seconds to the venue. I used eight of those seconds to selfie-video us walking, and looking back at the video, I am deeply irked at myself for not using at least twenty. She wore a jean jacket and was applying lipstick and looked very cool,

and then we crossed the street and entered.


Hearing is weak, listening is strong, so which do we do with music? 
The venue was small and the people were many. Chairs were found and we found ourselves located in a center-front vantage point where we watched two performers - first the lovely duo of Adam Black and Ariel Roxanne Cook (the latter on my fave guitar solo of the year), then the stompin sounds of Jacob Westfall, and finally...

my little brother. Jeremy M. Long, or as he goes by professionally: J.M. Long. A beautiful set with him splitting time between keys and guitar, ink rippling his lithe dense arms as he danced sang and played his way through a falsetto-soaring set of rockers, ballads, and experimental pop gems. My toes tapped and I felt her head bobbing time and my heart leaped when he said "...this one's for my brother Joseph" before launching into People Worry, a track that has both brought and taken away tears in the last month. So good.

We ducked out and found fresh oxygen immediately thereafter; we looped around 300 blocks or so while waiting for Becca to arrive. She spent 275 of them grumbling about not having brought knee socks on a cold night. She was grinning while grumbling so I found it unnecessary to break Anthropologie's window at 11 on a Saturday night in order to get her a pair, which I totally would have done if needed. But again, grinning-while-grumbling. She somehow survived until Becca arrived.


Because it's what I do.
After sliding almost-sleeping Becca over to the passenger seat and giving a brief synopsis of the show, I launched into an appropriate discussion question for the ride home.

So,
I said.
Tell us about this fellow you're with.

She did.

Because I asked.

INTERLUDE:

You can ask me two questions,
I informed her.
Go.

She thought briefly, and then asked two questions. I will only list one of them.

My fave Shakes right now,
I answered her,
is Twelfth Night.

We approached the bottom of our mountain and I knew it was time to play a special song that would bring us home as we pulled in the driveway, which is what happened as the closing strains of Kings of Leon's True Love Ways died out and I cut the engine and I don't know if she thought it was special but I know her and I know that someday she'll realize it was and is.


The morning after. 
There was coffee on the porch, and late birthday gifts given, and sunshine which bothered me because sunshine when I'm sad does not make me happy and I was sad because the clock would not stop ticking and time would not stop moving the wrong way and there was nothing to do to prevent her from leaving.

Again.

And I wanted to grab hold of the stupid little seconds winding their revolutions and slow each one down but they wouldn't stop moving. I gave her a CD, and I gave her sister a CD and I said:

It is the same playlist on each CD. Maybe sometimes you can each listen to it when you're driving and feel connected, or something. They're songs that are special to me.


The 59th. 
I hugged her, a good hug, and other people hugged her, and Becca squeezed her, and then I skulked over at the last minute to sneak the last hug in, and then she left,

and drove along the road.

The wrong way.

Away, way away.

There were some good hours in those fifty-nine, and I think the mountain misses her.

I took my stupid watery eyes inside and angrily ate a ginger molasses cookie. Allergies.


HOME / SISTERS
True Love Way / Kings of Leon
Pretty Voice / Cloud Cult
Ran / Future Islands
Jade / Edward Sharpe and the Magnetic Zeros
The Vanity of Trying / Clap Your Hands Say Yeah
River of Brakelights / Julian Casablancas
Keep You On My Side / Chvrches
No Widows / The Antlers
Waste a Moment / Kings of Leon
The Modern Age / The Strokes
Seventeen / Sharon Van Etten
Black Water / Edward Sharpe and the Magnetic Zeroes
Don't Miss It / James Blake
Blood Bank / Bon Iver
Seasons (Waiting On You) / Future Islands
Impossible Request (alt version) / Clap Your Hands Say Yeah
Over / Kings of Leon



I guess it's good to feel even when it doesn't feel good. 




all times are not exact times and all quotes are not exact quotes; for both there is no apology. the truth is still contained within these hybrids of fact and interpretation. 

2.09.2019

WHEN I WALK IN THE NIGHT OR DRIVE IN THE DAY.

What do we all gotta give?
What do we all have to give?
What do we have to share?



My brother Jeremy - junior to me in age only, and that by 16 years - gives the world his music and me his time.

Not just me. But he has given me plenty of it.

When you think about the small amount of time you actually have to be alive, and think past that realization to the reality that whatever amount of time you think you have is almost one hundred percent certain to be less than what you think it is...then it starts to put the idea of time into a whole different context.

A hundred thousand essays and memorial sermons have been written about the precious nature of time and to use every second and minute and all that. And they're all great. But they all start to run together, like a thousand meals you've eaten and you know a lot of them were special and delicious, but you can't necessarily differentiate many of them from one another.

They're all true. Time is like energy: it can be transferred and shared, but it can't be destroyed or created. At least not until time travel is a reality.

Jeremy spent a day of his Saturday with me. He could have made music, or watched television, or played with his adorable dog, or any number of things, but he hopped in my motorcar in the snow and ice and drove down with me to McMinnville, Oregon, where he sat through a couple hours of short films in a dark theater.

We were there for the screening of a film I did with one of our other brothers, Jonny, who was unable to be there, having chosen to be Canadian for a couple years and thus out of country, although still in North America, so therefore incontinent.

The destination is less important for this post. This is the drive. Coffee, meandering conversation, Kings of Leon...

That's one of things I love about him: the ability to share vibrant conversation...and then to shift to listening to music and just being. Simply absorbing the music and letting that be the experience.

And back to dialogue.

That's the day, that's the way that time went. And I would not trade it.

Also, we stopped beside the road and filmed him performing one of his songs. Jamey. The cold was biting, he nearly lost three fingers. Perhaps you will someday see it, should he choose.



7.18.2018

“KEEP IT OUT, YOU’RE GONNA NEED IT LATER” (JEREMY’S CLASSIC SMOOTHIE RECIPE).


Note: this is a summary of two different phone conversations with my brother Jeremy over the course of a couple days. I am paraphrasing him and passing them off as one hundred percent direct quotes, which I have informed him of and he is mostly okay with. The truth lies within this conversation. I will write a follow-up post if there are horrific inaccuracies that he has trouble with. 

Note II: he has literally* trademarked the phrase “keep it out, you’ll be needing it later.”
_______

So tell me about your process for making a smoothie.
I said.

Well,
Jeremy said.
I’ll tell you the process for making Jeremy’s Classic Smoothie. This is my classic go-to.

Okay.
I said.
Go.

So what you need to start with,
he said.
is pea protein. Preferably vanilla. You can get it at Trader Joe’s. You could use whey, but I’m allergic to it.

Following so far.
I said.

A couple scoops,
he said.
Or so. If you lose the scoop, which I do frequently, then use two scoops with, uhh, a spoon or something. 

Why do you keep losing the scoop?
I asked.

Then you add in a handful of ice to the blender.
he ignored me.
A small handful. And I don’t usually lose it, it’s usually just buried at the bottom of the protein powder and I can’t find it.  

Got it. 
I said, taking careful notes while I listened on speaker phone. 

Then,
he said,
you add in almond milk.

Alright,
I said,
And then -

He interrupted me:
Leave out the almond milk. KEEP IT OUT. You’ll be needing it again.

Whoa.
I said.
Is it a big deal to leave it out, or not?

You just need to keep it out,
he said, annoyed.

This is quite the process you have,
I observed.

Then you shove a banana into the blender. Shove it in.
he said.
Preferably you’ll have taken it out of the fridge so it’s firm and cold. But if you didn’t you can just use a regular banana that’s been sitting out. That should work too. Shove it in. 

Got it all down so far.
I said.

This is really important:
he said.
Then you dribble a little honey on everything. A little. But DON’T put the honey away. Keep it out. You’ll be needing it again. 

Okay.
I said.

Then you’re going to take out a granola bar.
He said.
Unwrap it. I like to use Nature Valley honey and oat granola bar, but you could probably use another brand if you had to. 

Okay.
I said. 
Granola bar. Check.

Then,
he said.
the blender should be getting full. Keep the blender out. Don’t move it anywhere. You’re going to taste it now.

So we’re done?
I asked naively.

No!
he snapped.
You’re going to TASTE it so you can refine it. You’ll need to refine the texture, the sweetness, the smoothness, the iciness, and the liquidity. You’re refining now. Get a spoon and take a taste. Speaking of smoothness, do you know that the word ‘smoothie’ actually comes from the word ‘smoothness?’

So,
I started to ask,
You - 

He interrupted testily. 
I can’t believe I forgot to include a step.

Is it a big deal?
I asked.

Well, not really, 
he clarified.
That’s the beauty of Jeremy’s Classic Smoothie. Embrace the forgetfulness! I’m not embarrassed I forgot something. It’s open to experimentation. So what I skipped over is the peanut butter. That should go in after the small handful of ice.

Sounds good.
I said.
Just dump some in?

You’ll take a spoon.
He said.
And scoop out some peanut butter and put into the blender on top of the ice. 

Okay.
I said.




Now, 
he explained.
We should talk about the peanut butter. Is it a shared jar, or a personal jar? If it’s a personal jar, then you’re going to double-dip. You’re gonna put it back in, scoop, then dip it IN the smoothie and clean off the spoon that way. That’s the genius of it. Also, I prefer to use refrigerated peanut butter, but you can experiment. 

So is that it?
I asked.
Peanut butter’s in, everything’s in, good to go?

NO!
He said. 
Now we’re back to the refining stage. You’re going to mix a little more almond milk in. Because you kept it out.

Right.
I said.

And then,
he said.
You’re going to mix some more honey in. Because you kept it out.

Right.
I said.
And now put them away?

No.
He said.
Keep them out. You might still need them.

Do you measure carefully?
I asked.

This is the thing.
He said.
You need to create a system that works for you. My trick and my system is to re-blend and keep refining. It’s all about the sweetening and the smoothing. You need to find the right sweetness and smoothness.

That is quite an elaborate process.
I said.
But simple.

Yes. 
he said.
The biggest mistake is being afraid to experiment.

Another mistake
I said.
Would be to put ingredients away too soon. Instead of keeping them out. 

You have to keep them out.
he said.
You’re gonna need them later on in the process.

Thank you.
I said.
I have learned a lot.

Yep.
he said. 
There’s your first Jeremy Long Classic Smoothie.  



___






*he has not literally done so